US lawsuit targets Swiss expert over fake Rothko

A Las Vegas billionaire is suing a respected Swiss curator accused of standing behind the authenticity of a painting purportedly by American artist Mark Rothko which turned out to be fake.

US lawsuit targets Swiss expert over fake Rothko
A genuine Rothko on display in New York. Photo: Mario Tama/Getty Images/AFP/File

Several people are accused over the "Untitled (Orange, Red and Blue)" that Frank Fertitta III paid $7.2 million for in 2008 from the Knoedler gallery in New York.

The gallery has since closed after it was found to be selling dozens of forgeries of several painters.

Swiss Oliver Wick, a Rothko expert and specialist in American paintings, was paid $300,000 by the gallery for the sale, according to court documents which allege that Wick "was aware of substantial evidence that the painting was a forgery."

"Wick conducted no independent research into the authenticity of this fake Rothko," the documents charge.

Prior to the sale, Wick had written to an intermediary in the transaction stating: "I confirm that this work has been submitted to the team, all is perfectly fine, otherwise I would not want to be involved with it."

The painting had been exhibited at the Fondation Beyeler museum in Basel, Switzerland, where Wick was a curator.

It is part of a series of dozens of fakes made by a Chinese artist from Queens and sold in New York for a total of around $80 million over 14 years.

The forgeries were presented as the works of Rothko, Jackson Pollock, Robert Motherwell, Franz Kline and Willem de Kooning.

The scheme was discovered in 2009 and Knoedler, the main gallery selling the works, closed abruptly in December 2011.

Glafira Rosales, the art dealer who bought the paintings from the Chinese artist and sold them to galleries, pleaded guilty last September and faces decades in prison.

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Art project shows the scope of Switzerland’s extraordinary glacier loss

An art project has shed light on the sheer scope of Switzerland’s glacier loss in recent years due to climate change.

Art project shows the scope of Switzerland’s extraordinary glacier loss
Photo: Studio Oefner/ETH Zurich

The project looks to “visualise 140 years of glacial retreat through an interactive network”. 

READ: Swiss glaciers shrink ten percent in five years 

The project is led by Swiss artist Fabian Oefner, who has reproduced the receding glaciers using neon lines which contrast with images of the glaciers as they currently stand. 

In a collaboration with with Federal Institute of Technology Zurich and Google mapped the shrinking glaciers over time. 

READ: Swiss 'glacier initiative' collects 120,000 signatures 

“Im interested in the concept of time and how change shapes the way we see reality”, Oefner says. 

Using drones equipped with LEDs, Oefner used real representations of glacial loss as the frame for the project. 

“I looked at maps where you could see the glacier in its current state and dozens of lines drawn on the map in front of it. Each of these lines represented where the glacier was in the past few decades,” Oefner said. 

“I wanted to find a way to transport the scientific data and bring it into reality”.